Quick note: each of the paragraphs written below corresponds to the section of code that comes immediately before it. The first section is about rows and columns, the second is about the sizing of the select screen's slots and the third is about the sizing for the select screen's cursor.

;Character select definition
[Select Info]
fadein.time = 10
fadeout.time = 10
rows = 10          ;7
columns = 35          ;23
wrapping = 1
pos = 40, 338          ;20, 338
showemptyboxes = 1
moveoveremptyboxes = 1

The only things I've changed in the above section are the rows, columns and pos values. The first two values determine how many slots are available, while the pos value determines where on the screen the slots are positioned. I would suggest you keep the default values handy by pressing tab a few times and sticking a semicolon in front of them so the game doesn't check them. That way, you can hold onto them if you need them for something later down the line. They also make for a handy reference point when deciding what to change and how. I use the 16:9 version of Mugen1 Remix, so the actual values you'll see when you reach the [Select Info] section might be different than what mine looks like. Don't worry about that, it's not a problem.

cell.size = 30, 29          ;50, 49
cell.spacing = 4          ;4
cell.bg.anim = 150
cell.bg.scale = 0.3, 0.3          ;0.5, 0.5
cell.random.spr = 151, 0
cell.random.switchtime = 4
cell.random.scale = 0.3, 0.3          ;0.5, 0.5

This section is what determines the actual sizes of the individual character slots. If you don't change these after adding the extra slots, most of the ones you add will run off the bottom of the screen and be invisible (if not unselectable), so you'll have to adjust the values with semicolons too. This will require a little trial and error, but it shouldn't be too hard to figure out so long as you use the in-game character select screen to check your work.

p1.cursor.startcell = 0, 0
p1.cursor.active.anim = 160
p1.cursor.active.scale = 0.3, 0.3          ;0.5, 0.5
p1.cursor.done.spr = 161, 0
p1.cursor.done.scale = 0.3, 0.3          ;0.5, 0.5
p1.cursor.move.snd = 100, 0
p1.cursor.done.snd = 100, 1
p1.random.move.snd = 100, 0

This last section determines the size of the cursor you use to navigate the character select screen. You should only need to change the active.scale and done.scale values (make sure they match the size of the character slots you decide on), and once you do that you can just copy them over to the active.scale and done.scale fields for players 2/3/4. Those are all directly under this section, so you shouldn't have any trouble finding them.

Ananzi
Ananzi's movelist didn't need much revision since it was based on her existing movelist from The Black Heart. The only changes I made were input glyph notation and heading adjustments, the addition of the Universal Mechanics section and general fixes to the back-end formatting. I did also edit the grammar of some Special Move names, though I am aware they were already accurate to how they were written in The Black Heart.

Angelica
Angelica easily got the lion's share of edits and tweaks during the revision process, most of which was due to how different the formatting was between the version included with her by default and my usual style. The changes that have been made in regards to formatting are as follows.

• The Universal Mechanics section has been added.
• Section headings have been adjusted to match the standardized versions found in my other movelists.
• Color coding has been adjusted in some places and added or removed in others.
• Glyph notation has been adjusted to follow the same structure as my other movelists.
• General back-end structure has been heavily modified, removing unnecessary indentations and several functionless "declaration marks" (or </>, which are used to mark the end of sections that are color coded.)

While there was no need to localize this time around since all of Angelica's moves were named in English, I decided to make a few adjustments here and there. Details on those are as follows.

• One of Angelica's previously unnamed normals has been given a name. Her crouching B attack is now called Mischievous Laugh. Additionally, the names used for her standing B normal string and crouching C attack (Whirlwind Stick Toy and Toy Car, respectively) that were previously listed in the Angelica Specific Mechanics section of Forla's movelist have been added to my edit's Command Normals and Basic Chains.
• Angelica's Red ball toss attack had its name changed to Ball Toss. Pointing out the ball's color in the move's name seemed a bit superfluous to me, so I decided to simplify it even further.
• Angelica's Dumb baby summon moves have all had their names changed. While the moves that summon Chuckie and Phil & Lil were only slightly changed in a similar fashion to Kohaku's "Look what I grew!", Dumb baby summon (Susie) was changed to "Help me out, Susie!" It felt more than a little out of character for Angelica to call her own best friend a dumb baby, so I felt like this change was necessary. The name for Angelica's Exceed Accel was changed from All dumb babies to Rugrattack! for the same reason.

Lastly, her Character-Specific Mechanics section has been overhauled to improve readability. Any sections that previously resided there were moved to appropriate places outside of the section, while the pieces that did remain were adjusted. The only one that wasn't rewritten was the section on her extra air actions, which I chose to combine with the note about her backwards Dodge Roll.

This was another easy one since looking into Oneshot for inspiration didn't require any work to circumvent the language barrier. The names of Niko's first Distortion Drive and Astral Heat were left alone, but every other named move of theirs was changed to include references to the source material. I don't think the torch item is the same as the one Niko uses to light the fireplace at the start of the game, but I figured it would be a nice callback and went with it anyway. To any Oneshot fans displeased with my lack of familiarity for the source material, I apologize.

I didn't have to translate anything this time around since the names of Jill's moves provided in her Read Me file were already in English, but I figured they would benefit from being less plain and decided to change them the way I usually do. The most noteworthy changes in my opinion were to her down back B special (Bash -> Beer Batter) and her Exceed Accel (Dark Kick -> Nighttime Maneuvers). These moves both felt a little too plain as they were, so I decided to change them. Nighttime Maneuvers is a reference to the game's soundtrack as any fan would likely notice, and while "Beer Batter" is closer to a cooking term I felt it was still appropriate for a move where she clubs her opponent over the head with a bottle of alcohol. I wanted to add a reference to one of the various drinks the player can make in Va-11 Hall-a for her down forward Distortion Drive, but I couldn't find one that fit well enough and decided to simply reference the idea that she was drinking on the job.

The Magician originates from a free Korean indie game on Steam called Three of Cards. According to the game's description, The Magician is the protagonist who has been wronged by an insurance company and uses their supernatural abilities to settle the score. Given that the game's own English translation appears to be at least partially done by a machine the same way I do it, I figured I would decide the names of moves myself in the way I've done several times before as using the game as a primary source likely wouldn't yield different results. With that being said, I decided to lean into their title as a Magician as well as their use of playing cards as a weapon to name their attacks. As a result, there are numerous references to stage magic and poker that were not present in the original Korean attack names. I considered keeping the original name of their down back B special move, 달의 방어 ("Defense of the Moon"), but ultimately decided it didn't fit as well with the other moves. Even considering the opportunity to reference the Tarot, it still felt like an awkward name since there weren't any other Tarot references and it likely wouldn't come across as a deliberate Tarot reference by itself. I opted to instead call this move "Turning The Wheel", referring to the term used to describe the Ace - Five Flush poker hand and the circular shape of the attack itself. I also considered other names for his Magic Hands mechanic (maybe something along the lines of Teaxs hold'em) but ultimately decided it would be better to try and keep a balance between magic and poker references. I probably could have done a better job of that, though...